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Kabir Khan and Phantom will be released in India on February 9, 2010. Parana (2010) Kabir Khan's third film, Parana (2010), is about a small village in Maharashtra, where every man and woman – bar one – is either a victim of, or a victimizer of, the nexus of the police, politicians and the rural mafia. Kabir told me, 'I have been talking about those who keep silent, those who are either indifferent to the plight of the marginalised. A lot of what happened in the film happened in my home village, and I wanted to do something about it.' Parana, in his words, 'was essentially a film about the police.' In a scene shot on the back of a truck, a farmer is forced to get down and crawl from one police station to the next, while being beaten and robbed. He says, 'I want to show the power of silence. But it is a fictional film. It is a film which talks to the conscience. Where every individual is aware of the atrocities they witness in the world. It is a film that talks about social responsibility. It is a film which reflects reality. In the middle of all this reality, I wanted to create an absurdist world.' This world, made up of daily headlines, serves as a stage for an absurdist drama which, over three days, intersects to form a narrative. There are hints of Shakespeare's Macbeth in the symbolism and plot, as people play . The film's antagonist is an unscrupulous politician, Sarsubam Patil, who takes a cut from corrupt police officers and tribal politicians. Kabir says, 'I have always been fascinated by death. It is something which always fascinates me.' Jodhaa Akbar: First look photos Kabir says, 'Jodhaa Akbar is not just about Muslim–Hindu wars, it is about the culture of the East, the politics of the time, the family of the Akbar and the court. It is about the dynastic politics of the Mughal Empire. It is about the power politics of the family of the Mughal Empire. It is about the feudal politics of the time.' The story is set in the time of the Akbar when the Mughals were in control of the sub-continent, though it
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