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專營視覺溝通與編輯設計相關。
Visual communication and editorial design professional related.

Selected Works of RKCW 

志謀工作室作品集

在台北創意產業經過約十年的工作歷練之後，吳國強於2008年至荷蘭進修，進而畢業於烏特列支藝術大學的編輯設計碩士學位。在他旅居西歐期間，曾在阿姆斯特丹實習工作於不同的專案，並於瑞士洛桑參與過印刷實務的經驗。目前他經營一間視覺/編輯設計工作室於台北，同時曾在臺北藝術大學兼任講師與參與草創設計社團田田圈文創工作群。身為藝術與設計相關從業人士，他持續致力於社會體制內外的設計方法鍛鍊與藝術事件實踐。國強的創作導向於以文字編輯作基礎的具象詩般的表現模式，有時會滲入圖繪作為手段，以企圖文結合的傳播途徑。其專研於字學的結構與解構，在編組圖（影）像與詮釋文本時具敏銳直指人心的感知性。他在應用不同多樣的印製材質上特別關注細節，希冀給觀者視覺加乘觸覺的雙重感受。他試圖利用這種種溝通方法去喚起觀者反觀、內省以及冷諷的思考，而這種昭示通常能夠揭露現代社會中人性不同面向的荒謬本質。其專精於：書題、插畫、品牌設定與咨詢、編輯、資訊圖學、平面影像以及裝置既展場視覺；曾經主導操手過的展演視覺有：《一一重構・楊德昌回顧展》（2023，臺北市立美術館）、《藏珎——東亞書寫的視域》（2022，桃園市立美術館 / 橫山書法藝術館）、《順天聚藝・共享珍寶》（2022，臺南美術館）、《舉起鏡子迎上他的凝視：臺灣攝影首篇（1869-1949）》（2021，國家攝影文化中心台北館）、《烈日疊影：何昧典藏早期海端鄉影像故事展》（2020，臺東海端鄉布農族文化館）、《借來的翅膀：王大閎的建築、文學與科幻》（2019，台北市立美術館）、《少女的祈禱》（2018，台北南海藝廊）、《未來道人》（2016，台北當代藝術中心）、《竹・空間・想像》（2015，羅東文化工場）、《物非物》（2014，台北北平東路藝術村）、《台灣現代詩外譯展》（2014，台北紀州庵）、《蟾蜍行動——鄰里起「哄」藝術節》（2013，台北蟾蜍山）以及《這不是一座台灣館》（2013，威尼斯雙年展）。

客戶與合作夥伴：岸汐職人聚落、牽猴子整合行銷、國賓飯店、亞太製片網絡、北京箭廠空間、臺北貝斯廚房派對、台東海端鄉布農族文化館、財團法人國家電影中心、中國文化大學、中興大學人文與社會科學研究中心、快速羽球、臺北市文化局、黯黑入口唱片廠牌、Ella Raidel、偉大娛樂有限公司、北京綠光行出版、輔仁大學博物館學研究所、孵一間工作室、臺灣歷史資源經理學會、IDEO上海、澤東電影、花蓮乙皮畫廊、九邑天闊廣告、禁（唱片廠牌，臺北）、佳映電影、一條龍虎豹電影、黃楷馨、紀州庵、蘭陽博物館、羅東文化工場、羅東林業文化園區（林鐵館）、曉宇宙博物館事務所、烏特列支藝術大學研究所、文化部、國家攝影文化中心臺北館、國立臺北教育大學（南海藝廊）、國立臺灣美術館、香港華人民主書院，人籟雜誌既利氏學社、花米電影、楊雨樵、臺虎精釀、臺聯電訊、臺北當代藝術中心、臺北市立美術館、國立臺北藝術大學、臺北偶戲館、臺灣建築雜誌、新平溪煤礦博物館、臺南美術館、桃園市立美術館、田田圈文創、寶藏巖藝術村、城市遊牧影展、聯廣廣告與臺北村落之聲。

Ralph Kuo Chiang Wu graduated with a MA degree in Editorial Design from Hogeschool voor de Kunsten Utrecht the Netherlands in 2009, after 10 years working experience in the creative industries in Taiwan. He's worked in Amsterdam and Lausanne respectively, while he stayed in Western Europe. He was a design lecturer at Taipei National University of Arts, a core member of the Tieniencircle Creative Group, and currently running his own graphic/editorial design studio based in Taipei. As a design professional and an art practitioner, he's constantly dedicated himself to design methodology and art drill in and out of the system of our society. Ralph's practice is toward to editorial and text-based artistic presentations, with certain graphics as instruments, in order to tells stories by combining literal meanings and its characteristics. He's trained in de/constructive typography, with a subtle sensibility in composing heart-stirring illustrated/photographic images and storytelling. He pays particular attention to the details while utilizing different materials in prints for viewers' cognition, which is not just for seeing but 'touching'. The communication he tries to convey to the audiences is frequently innermost, introspective and ironic, yet it somehow reveals various aspects of modern life as well as the imagery of the absurd entity known as humanity. His specialties: calligraphy, lettering, illustration, branding, editorial, infographic, photography, installation and exhibition (spatial) design. The exhibitions that he had in charge in term art direction: “A One & A Two: Edward Yang Retrospective” (2023, Taipei Fine Arts Museum); “Treasure—a Perspective from East Asian Calligraphy” (2022, Taoyuan Museum of Fine Arts); “Sun Ten Treasures: Gathering and Sharing” (2022, Tainan Art Museum); “Hold the Mirror up to His Gaze: the Early History of Photography in Taiwan, 1869-1949” (2021, National Center of Photography and Images, Taipei); “The Overlapped Shadows under the Heated Sun – the Images Archive of He Mei” (2020, Bunun Cultural Museum of Haidduan Township); “Borrowed Wings – Wang Da Hong’s Architecture, Literature and Science Fiction” (2019, TFAM); “A Maiden’s Prayer” (2018, Taipei Nanghai Gallery); “Future Tao” (2016, Taipei Contemporary Art Centre); “Bemboo, Space, Imaginary” (2015, Luodong Cultural Working House); “Never odd or eveN” (2014, Taipei Artist Village); “Translated Modern Taiwanese Poetry” (2014, Taipei Kishuan); “Save Toad Mountain - the Community Arts Festival” (2013, Toad Mountain, Taipei) and “This Is Not A Taiwan Pavilion” (2013, Venice Biennial Taiwan Pavilion).

Clients & Collaborators: Acid Lab, Activator Marketing Co., Ambassador Hotel, Asian Producers Network, Arrow Factory BJ, Bass Kitchen TPE, Bunun Cultural Museum of Haiduan Township, Center of Taiwan Film Archive, Chinese Culture University, ChungHsin University, Crossminton TW, Cultural Affairs Taipei City Gov., Dark Entries Records, Ella Raidel, Foison Art, Great Entertainment Co., Green Light Walk Publishing BJ, FuJen University, Institute of Historical Resources Management, Ideo SH, iP Art Gallery, Jettone Films, JETQ Consultancy, JIN Records, Joint Pictures, Jumpboys Film, Kai-Hsing Huang, Kishu An Literature Forest, Lanyang Museum, Luodong Cultural Working House, Luodong Forest Cultural Park, MaHKU, Museum Microcosms Creatives, Ministry of Culture TW, National Centre of Photography and Images, Naihai Gallery - National Taipei University of Education, National Taiwan Museum of Fine Arts, New School for Democracy, Renlai Magazine & Ricci Institute, Rice Flower Films, Somanana Rain, Taihu Brewing, Tainet Corp., Taipei Contemporary Art Center, Taipei Fine Art Museum, Taipei National University of Arts, Taipei Puppet Museum, Taiwan Architecture Magazine, Taiwan Coal Xinpinxi Museum, Tainan Art Museum, Taoyuan Museum of Fine Arts, Tientiencircle, Treasure Hill Artist Village, Urban Nomad Film Festival, United Advertising and URS Taipei.

志謀工作室作品集

志謀工作室作品集

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